The jungle book v&a collectors edition free.The Jungle Book: V&A Collector's Edition

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

He was sent back to England when he was seven years old, and lived in a boarding house with a couple who were cruelly strict. Fortunately he returned to India aged 16, to work as the assistant editor of a newspaper in Lahore. He began publishing stories and poems and eventually had great success with his book Plain Tales from the Hills. He then moved with his family to England, where he wrote Just So Stories for his daughter Josephine who tragically died of pneumonia.

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The jungle book v&a collectors edition free

 

A classic story of friendship between man and beast. Saved from the jaws of the evil tiger Shere Khan, young Mowgli is adopted by a wolf pack and taught the law of the jungle by lovable old Baloo the bear and Bhageera the panther. The adventures of Rikki-Tikki-Tavi the snake-fighting mongoose, little Toomai and the elephant’s secret dance, and Kotick the white seal are all part of Mowgli’s extraordinary journey with his animal friends.

This special Puffin Classics edition brings together two of the most inspirational collections at the Victoria and Albert Museum, London – the works of Arts and Crafts pioneer William Morris and the literature of Rudyard Kipling.

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He was a prolific writer and recognized as a genius. In he was awarded the Nobel Prize for Literature. His many books for children include Just So Stories and Kim. Start reading The Jungle Book on your Kindle in under a minute. Don’t have a Kindle? About the author Follow authors to get new release updates, plus improved recommendations. Rudyard Kipling. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

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Learn more how customers reviews work on Amazon. Images in this review. Reviews with images. See all customer images. Top reviews Most recent Top reviews. Top reviews from United Kingdom. There was a problem filtering reviews right now. Please try again later. Verified Purchase. Mowgli ‘ For me, ‘The Jungle Books’ are the book of books.

I think this might also have been true for a number of past generations, although rumour has it that it is less true today. If so, then that is today’s loss. I am of the view that had Kipling not written ‘The Jungle Books’ then we might not have had later works like ‘Animal Farm’ and many others not all of them animal fables in which the reader will have detected the echoes of Kipling’s great work.

It is also only fair to point out that ‘The Jungle Books’ were themselves influenced by Lewis Carroll’s ‘Alice’ books. Although, as a matter of taste or temperament, one may prefer certain of these stories to others, I think it is neverthless true to say that ‘The Jungle Books’ contain not a single dud, nor dull story.

A number of the ‘Jungle Book’ stories appear to show Kipling revisiting his own experience of childhood by way of allegory. There are certainly elements of this to be found in the Mowgli stories, but I think the most fully realised example of it can be found in ‘Rikki-Tikki-Tavi’.

Rikki-Tikki’s early seperation from his own parents; the immediate threats posed by the new environment in which he finds himself, as well as the distant but affectionate relationship which he forms to the parental figures who own ‘the big bungalow’, all chime, in my view, with different aspects of Kipling’s own childhood.

It is also interesting to note that Mowgli, Rikki-Tikki and Toomai of the elephants are all native youngsters, of one species or another, and therefore somewhat distanced from the adult ‘Sahibs’ who, in the cases of Rikki-Tikki and Toomai, hold the positions of worldly and generally benevolent authority over their lives. In his autobiography, ‘Something of Myself’, the Bombay-born Kipling notes that for the first six years of his life he spoke and thought in the vernacular, mainly within the native Indian society provided by his bearers and his parents’ household staff, and only spoke English, haltingly translated out of the vernacular, when taken into the parental presence.

In my view, the personal identification with the native child and the native society which surrounds him, which is characteristic of ‘The Jungle Books’, is one of the autobiographical elements to be found within its pages. And the distant but affectionate relationship between these characters and the ‘Sahibs’ in their lives also reflects, in my view, Kipling’s own relationship to his parents.

It may be that within his developing sensibility the British Empire itself became an extension and a projection of this formative parental relationship. Within this context, it is also worth noting that between the ages of six and twelve Kipling was more literally distanced from his parents, whom he idealised and adored, by their returning to India after a brief trip to England, leaving Rudyard and his sister behind in a foster home at Southsea.

But this suggestion of autobiography by allegory is not intended to minimize, nor underestimate, the quality of the creative imagination which is at work in ‘The Jungle Books’. As flights of the imagination go, for example, few go better than the flight of the Bandar-Log Monkey People through the treetops of the Jungle, carrying with them an unwilling Mowgli as both their hostage and their trophy.

The subsequent battle at ‘Cold Lairs’ a deserted Moghul city, buried deep within the Jungle between Bagheera, Baloo, Kaa and the Bandar-Log for possession of Mowgli – for his life – is likewise a marvel of invention, not to mention the occasion of some tremendous prose writing. And this is far from being the only example of Kipling’s creative imagination functioning at its highest level to be found within the pages of ‘The Jungle Books’.

The quality of much of the poetry which accompanies these stories is also very high. In fact, here is as good a place as any in which to say that one of the principal strengths of Kipling’s prose writing is that it is rooted in poetry. His prose is informed by a poetic sensibility and also exhibits the technical virtuosity which springs from his familiarity with a technically difficult form.

There are very few writers who can write both poetry and prose to the standard that Rudyard Kipling could. The ‘Jungle Book’ stories provide Kipling with a variety of opportunities and ways in which to re-imagine his own childhood, and therebye to re-examine and re-interpret it as well – to make sense of it all and to make of it, too, a curious ‘through the looking glass’ study of human nature and society, as well as a medium for articulating a realistic ethics, or code of conduct, for survival in that society.

If you like, ‘The Jungle Books’ are a ‘How to Survive’ manual written by one who has survived childhood adversity, in which the animals are very like people, or perhaps it is that people are very like animals. Aside from the beauty of the Jungle, which is repeatedly reflected in Kipling’s prose descriptions of it, there is much to be wary of in Nature as seen through the looking glass of ‘The Jungle Books’, and there is correspondingly much need to tailor your character and conduct in order to survive it.

But there is also great friendship and even love to be found in this ‘Jungle’. Hence Bagheera, Baloo, Akela, Kaa and the others. Given the contents of the six harmful years which he spent as a child at Southsea, what surprises me the most about Kipling’s approach is how magnanimous it is. Certainly there are the occasional wrist flicks, or pen flicks, of less attractive impulses to be found within the volume and variety of his work, but they are nothing like so central to it as they might have been had he developed a greater taste or talent for bitterness.

Clearly this was the case towards the end of the nineteenth century, when ‘The Jungle Books’ were written. It may be that later on in his life Kipling suffered a number of personal and perhaps even ideological losses which contributed to the emergence of a noticeable bleakness of vision which can be found in his later work.

There are also a few surprisingly adult puns to be found in ‘The Jungle Books’, most particularly in the story called ‘Her Majesty’s Servants’, about a group of military camp animals who are thrown together for a conversation one stormy and disturbed night. Sayeth the troop-horse: ‘You could put a whole regiment of Dicks on my back without making me feel any better. Far from simply being ‘books for children’, ‘The Jungle Books’ are mature works by Rudyard Kipling, the second one perhaps being more so than the first.

By which I mean that ‘The Second Jungle Book’ is a deepening and a development of the first, excellent though the first remains. Besides the steady maturing of Mowgli himself he departs ‘The Second Jungle Book’ in early manhood another example of this ‘deepening and development’ would be the entire story within a story – a complete creation myth, as told by Hathi the elephant – which can be found within the pages of ‘How Fear Came’.

The story-within-a-story becoming something of a characteristic feature of ‘The Second Jungle Book’, and one which was largely absent from the First. I think the stories of the Second Jungle Book have generally more richness of detail and texture to them as well.

As examples of this, I would cite ‘Quiquern’, which is the finest and most closely observed story of the Frozen North that I have read; or the beautiful storytelling and prose writing of ‘The Miracle of Purun Bhagat’, a characteristically Indian tale which has long been one of my ‘Second Jungle Book’ favourites.

Also, and regardless of what one may think of its politics – which strike me as being surprisingly even-handed for a son of British parents, born in India, under the Raj – ‘The Undertakers’ is another high point of ‘The Second Jungle Book’; a twenty-page masterpiece of the short story writer’s art.

And immediately following this tale comes ‘The King’s Ankus’ which, for me, constitutes the apex of the Mowgli stories. The treasure within the story itself functioning as the perfect symbol for the riches to be found within ‘The Jungle Books’ as a whole.

Only the desire not to go on too long, and therebye bore the reader, has prevented me from doing justice to other great Second Jungle Book stories like ‘The Spring Running’ or ‘Red Dog’ – which rivals ‘The King’s Ankus’ in its qualities of imagination and execution – as well as to Stuart Tresilian’s still unsurpassed illustrations for both ‘Jungle Books’, which grace this particular edition.

The illustrated Jungle Book is a mixed bag in many ways, and if your only experience of the story is from the films then you are in for a surprising revelation. Firstly the Jungle Book is not one story but an anthology of 7 short stories and 7 songs, and understandably with some more appealing than others. Even Baloo while teaching Mowgli the ways and language of the jungle, leaves him heavily bruised.

The general story, we all know, as Mowgli the Man-Cub the Frog is found as an infant and reared by wolves, taught and watched over by Baloo and Bagheera, and hunted by Shere Khan.

 
 

– The Jungle Book: V&A Collectors Edition by Kipling, Rudyard – replace.me.Jungle Book Collectors Edition by Kipling Rudyard – AbeBooks

 
 

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Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. I won’t deign to review Kipling’s classic as it pertains to content, but I highly recommend you buy any other version of this book. So the formatting is terrible. Pages break on full paragraphs ending up with huge amounts of whitespace everywhere that makes the reading slightly clunky.

Chapters, on the other hand, do not break. It’s weird. It’s like this was an e-book converted into a poor print. Additionally, this only at least half of the Jungle Books collection. I would highly recommend you look for a version with the second half of these stories. For example I found a copy of “The Jungle Books” published by Penguin Classics in that was immensely superior to this version.

I was a victim of the Amazon Practice of putting many products under the same product description and with the same pool of reviews. This is good for sells of crappy products, as it makes it appear that many people are purchasing the product and additionally averages up the apparent review rating. It would have been a much higher quality experience to download this public domain set of stories from the Internet and show them to my children on an iPad.

This is not that book. I can hardly believe that someone allowed this to be published without even the smallest semblance of attention being given to format.

I have included a couple of photos to give an idea of what to expect. This book was released July 1, and I pre-ordered without reviews as none were available. I was surprised to find reviews on this book right after Amazon received it in mid-July, My review is for “this specific book.

Not acceptable! This specific book, released July 1, , is abridged with illustrations that can help a child understand how a boy could grow up with animals in the wild. Well written story. Definitely for ages 5 and up. I will give it to my grandson, but feel I cannot give it to my granddaughters because it has various illustrations of boy nudity from the back.

Ok – this reads like something that someone put through an electronic translation software and then never bothered to proof-read. That is why he has only killed livestock. Now the villagers of the Waingunga are irritated with him, and he has come right here to make our villagers indignant. They will scour the jungle for him even as he is an extended manner away, and we and our children should run even as the grass is prepared alight.

Indeed, we’re very grateful to Shere Khan! This is atrocious – do not buy this garbage. One of my favorite books since childhood, I reread it every few years. I prefer the Mowgli stories, but tried to focus more on the other animal stories this time through.

Don’t tell on me Sometimes I skip them. I don’t think I ai again. They are marvelous takes in their own right.

Great Book – I was Very Surprised pleasantly still to find that the story the movies tell was only a part of The Jungle Book as a whole – also did not know that a favorite story of mine Rikki Tikki Tavi is also part of The Jungle Book – the other stories within the book were very interesting as well – if you think ‘The Jungle Book’ is only the story of Mowgli you owe it to yourself to get this book and discover and appreciate the full novel and all its’ stories in their entirety.

This book is a great classic. Kipling is a master of short stories, and you will enjoy each one. These stories are just timeless, and definitely to be treasured!!! See all reviews.

Top reviews from other countries. Very colourful. A flip book. No of pages:8 No of flip pages: 4 Less of story but colourful for the reader to add his imagination. Nice book. I wish these Usborne illustrated originals had illustrations on every page like Usborne illustrated stories series. But, then, the book would become too big. I have already purchased Around the world in 80 day and Alice in Wonderland.

Satisfied with all including this one. Mowgli ‘ For me, ‘The Jungle Books’ are the book of books. I think this might also have been true for a number of past generations, although rumour has it that it is less true today. If so, then that is today’s loss. I am of the view that had Kipling not written ‘The Jungle Books’ then we might not have had later works like ‘Animal Farm’ and many others not all of them animal fables in which the reader will have detected the echoes of Kipling’s great work.

It is also only fair to point out that ‘The Jungle Books’ were themselves influenced by Lewis Carroll’s ‘Alice’ books. Although, as a matter of taste or temperament, one may prefer certain of these stories to others, I think it is neverthless true to say that ‘The Jungle Books’ contain not a single dud, nor dull story.